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DAEKI and JUN

Fieldwork : Observation & Record

This poster was designed to promote the ‘Fieldwork: Observation and Documentation’ design workshop, jointly hosted by the ‘Hyundai Card Design Library’ and the ‘Typojanchi 2017 – 5th International Typography Biennale’.

The poster was designed by DAEKI and JUN, and Daeki Shim of DAEKI and JUN planned and led the ‘Fieldwork: Observation and Documentation’ workshop.

Hyundai Card’s Facebook

Typojanchi 2017 : Body & Typography

Mohm is the Korean word for body and the motto of Typojanchi-the 5th International Typography Biennale. The work announces the preliminary talk and seminar of the event. In this context, the letters B and T, which are the key elements of the design, stand for body and talk. The typeface and the fine white lines make the contours appear to be flexible and in motion. In contrast to that, even with respect to color, stand the straight blue lines, which intersect the letters and visualize communication strands. The speech bubbles are a visual reference to the lecture held as part of the seminar.

Book Club: CENTER 2 CENTER

CETNER 2 CENTER’ refers to ‘center to center,’ an architectural term that describes the connection from the center of one material to that of another. The main visual motif is based on the definition of this phrase, meaning that the project and company link the centers of texts, books, readers, and other elements to bring them together.

AGI Special Project – I Love Seoul

AGI Special Project – I Love Seoul
A graph showing the increase in the number of foreigners residing in Seoul from 1960 to 2015.

1 + ( ) Global Network Illustration Fair

The poster promoting the exhibition features the mathematical phrase ‘1 + ( ).’ The forms of the Arabic numeral one and the parentheses create a visual connection. The Arabic numeral one refers to the Korean illustrator Insu Lee, while the plus sign, which symbolizes connection, also utilizes a square grid form to express the global network through the Internet. The number of square boxes formed by the grid is exactly ninety-one, which corresponds to the number of illustrators participating in this exhibition.

 

Now & Here

These posters were designed for the Asia/Next-Poster Experimental Design Exhibition in 2015.

The first poster expresses the sentence by Christopher Tilley, a professor of Daeki Shim and a prominent archaeologist and anthropologist: “Landscapes, unlike their representations, are constituted in space-time. They are always changing, in the process of being and becoming, never exactly the same twice over.” in typography.

In addition, the words and graphics overlap with images of Korean landscapes. In the second poster, the Tilley quote is symbolized in a graphic form. Landscapes are represented as graphic symbols on a map.

“The progression of seasons” is shown as a color gradation representing the four seasons, and “time of day” is depicted in twenty-four lines symbolizing light. “Qualities of light and shade” are represented as six graphic lines resembling light descending from the sky. In the text “Individual & Society,” “Individual” is represented by a small circle, and “Society” is visualized as five small circles huddled together inside a larger circle. “Interaction” is displayed with two small circles and an arrow to visualize the movement in and out.

Illustration Festa 015